Berliner Boersenzeitung - Behind the BTS comeback, the dark side of K-pop

EUR -
AED 4.246011
AFN 72.838394
ALL 95.900007
AMD 432.670294
ANG 2.069629
AOA 1060.201196
ARS 1612.785171
AUD 1.631697
AWG 2.083985
AZN 1.96758
BAM 1.955189
BBD 2.311377
BDT 140.815959
BGN 1.976241
BHD 0.436492
BIF 3407.948889
BMD 1.156163
BND 1.47234
BOB 7.930554
BRL 6.037467
BSD 1.147641
BTN 106.919948
BWP 15.660102
BYN 3.54859
BYR 22660.802746
BZD 2.308078
CAD 1.58721
CDF 2630.271542
CHF 0.912364
CLF 0.026733
CLP 1055.566138
CNY 7.978048
CNH 7.973447
COP 4269.514908
CRC 536.929751
CUC 1.156163
CUP 30.63833
CVE 110.231478
CZK 24.467774
DJF 204.366084
DKK 7.470608
DOP 69.387999
DZD 152.897099
EGP 60.398557
ERN 17.342451
ETB 179.181285
FJD 2.551767
FKP 0.866034
GBP 0.862186
GEL 3.139009
GGP 0.866034
GHS 12.52719
GIP 0.866034
GMD 85.556476
GNF 10057.854367
GTQ 8.779368
GYD 240.096985
HKD 9.056771
HNL 30.376368
HRK 7.533103
HTG 150.53292
HUF 390.449684
IDR 19565.753309
ILS 3.615716
IMP 0.866034
INR 107.439086
IQD 1503.329828
IRR 1520499.398226
ISK 143.803649
JEP 0.866034
JMD 180.303609
JOD 0.819667
JPY 183.061713
KES 148.856534
KGS 101.104059
KHR 4600.561157
KMF 494.837917
KPW 1040.490233
KRW 1730.01369
KWD 0.354145
KYD 0.956401
KZT 551.897392
LAK 24621.299593
LBP 102773.857076
LKR 357.679463
LRD 210.017041
LSL 19.336952
LTL 3.41385
LVL 0.699352
LYD 7.349701
MAD 10.783421
MDL 20.11171
MGA 4775.506442
MKD 61.619725
MMK 2427.680761
MNT 4127.12739
MOP 9.259504
MRU 45.803477
MUR 53.773403
MVR 17.862421
MWK 1990.077595
MXN 20.522305
MYR 4.554122
MZN 73.881892
NAD 19.336952
NGN 1563.69962
NIO 42.23679
NOK 10.988478
NPR 171.068758
NZD 1.964547
OMR 0.44454
PAB 1.147641
PEN 3.952981
PGK 4.953451
PHP 69.199276
PKR 320.500462
PLN 4.26885
PYG 7457.667585
QAR 4.185227
RON 5.093134
RSD 117.453481
RUB 99.602209
RWF 1675.37602
SAR 4.340832
SBD 9.305477
SCR 17.168814
SDG 694.853891
SEK 10.753528
SGD 1.47934
SHP 0.867422
SLE 28.499321
SLL 24244.181045
SOS 654.695242
SRD 43.358429
STD 23930.248207
STN 24.49234
SVC 10.041859
SYP 128.06281
SZL 19.341951
THB 37.747573
TJS 10.988463
TMT 4.046572
TND 3.389584
TOP 2.783763
TRY 51.227637
TTD 7.778567
TWD 36.90359
TZS 2992.051478
UAH 50.467616
UGX 4337.680891
USD 1.156163
UYU 46.485461
UZS 13989.685172
VES 525.690886
VND 30426.75234
VUV 137.625456
WST 3.172703
XAF 655.751911
XAG 0.015594
XAU 0.000245
XCD 3.124589
XCG 2.068253
XDR 0.815545
XOF 655.751911
XPF 119.331742
YER 275.80244
ZAR 19.377588
ZMK 10406.858107
ZMW 22.464974
ZWL 372.284145
  • CMSD

    0.0100

    22.9

    +0.04%

  • JRI

    -0.1630

    12.16

    -1.34%

  • BCC

    -1.9800

    69.86

    -2.83%

  • RBGPF

    -13.5000

    69

    -19.57%

  • GSK

    0.3100

    52.37

    +0.59%

  • CMSC

    0.0200

    22.85

    +0.09%

  • RIO

    -2.0700

    85.65

    -2.42%

  • NGG

    -1.8700

    85.53

    -2.19%

  • RELX

    -0.0400

    33.82

    -0.12%

  • BCE

    -0.0200

    25.73

    -0.08%

  • RYCEF

    -0.5900

    16.01

    -3.69%

  • VOD

    0.0500

    14.42

    +0.35%

  • BTI

    0.6300

    58.72

    +1.07%

  • AZN

    0.5100

    188.93

    +0.27%

  • BP

    1.2500

    45.86

    +2.73%

Behind the BTS comeback, the dark side of K-pop
Behind the BTS comeback, the dark side of K-pop / Photo: Jung Yeon-je - AFP

Behind the BTS comeback, the dark side of K-pop

K-pop oozes with talent, flair and hard work, but the spectacularly successful South Korean music industry also has a dark side -- sometimes with tragic results.

Text size:

Ahead of BTS's comeback concert on Saturday, AFP looks at the intense competition, the gruelling training, the tight control over stars' lives and the sometimes obsessive fan behaviour in the industry.

- 300 groups -

South Korean record labels launch dozens of new groups every year in the hope they will become the next BTS or Blackpink, but with some 300 outfits already out there, the big time is elusive.

The tiny minority of the thousands of young hopefuls who make it past the audition phase can then face 15-hour days of gym sessions, singing lessons, promotional shoots and dance practice.

They sometimes sleep not at home but in bunk beds in shared houses, with tight control over the lives, including what they eat, their weight and their looks.

In a 2020 interview with AFP, former Nine Muses member Ryu Sera likened it to a "factory-like mass-production system", with people treated like "replaceable products".

But industry bosses argue that the competitive structure is what keeps K-pop so successful.

"We can't help those who were given an opportunity for self-improvement but couldn't keep up with the others," Blitzers manager Oh Chang-seok told AFP in 2021.

The balance of power between labels and K-pop stars was once heavily skewed, with "slave contracts" mandating unequal profit-sharing and binding artists for well over a decade.

After a legal battle involving idol group TVXQ, the fair trade commission revised standard contracts, with changes introduced in 2009 that cap initial deals at seven years.

- No dating -

Fans can become obsessive, and anger over rumours that their beloved stars may be romantically involved has become a hallmark of the industry.

When Jung Kook of BTS was rumoured to be dating Aespa member Winter, fans sent a truck carrying a billboard to the headquarters of BTS label HYBE accusing him of "deceit".

Karina of Aespa faced similar trouble when she acknowledged her relationship with an actor in 2024, drawing the ire of fans who also dispatched a truck.

"Do you not receive enough love from your fans?" it read.

Karina delivered her "sincere apologies" in a handwritten letter, vowing she would "not disappoint" her fans again. Shortly afterwards, the couple broke up.

Others have taken things to dangerous extremes.

In 2024, Sunwoo from The Boyz was assaulted when a fan hid in an emergency stairwell to confront him. The group's label said it had also detected a tracking device on their vehicle.

This month, a Brazilian woman was indicted on charges of stalking BTS's Jung Kook. She allegedly rang his doorbell and left a letter 23 times in one month -- "out of love".

Kim Seong-sheen, a professor of creative convergence education at Hanyang University in Seoul, blames the way the industry has structured the relationship between groups and fans.

"Fans have come to occupy the role not of simple consumers but of participants who invest their emotions and time," Kim told AFP.

"The industry has long operated on the premise of controlling idols' private lives and sustaining an illusion of intimacy to maintain that engagement."

- Cyberbullying -

The industry has seen a number of suspected suicides, most recently in 2023 when Moonbin, 25, from boy band ASTRO, was found dead at his home.

While mental health professionals caution it is rare that there is only one trigger factor, some performers have been subjected to intense cyberbullying and harsh scrutiny of their personal lives, both by fans and their management.

Bang Si-hyuk, creator of BTS and chairman of HYBE, questioned in a 2023 CNN interview whether such criticism was "justifiable", suggesting conditions were no better in Western pop.

Cultural commentator Kim Do-hoon said a deeper problem lies in the industry's hierarchical structure between management and singers.

Unlike many groups elsewhere, K-pop bands are assembled by agencies that invest time and capital to train them in a top-down system.

BTS was created in the same manner.

"This is a very hierarchical system that, at its core, has not changed over the years," he said.

(L.Kaufmann--BBZ)