Berliner Boersenzeitung - Behind the BTS comeback, the dark side of K-pop

EUR -
AED 4.240081
AFN 75.628368
ALL 93.094431
AMD 422.645236
AOA 1059.875198
ARS 1721.451062
AUD 1.632666
AWG 2.081073
AZN 1.960779
BAM 1.957382
BBD 2.325079
BDT 142.166128
BHD 0.435356
BIF 3451.219115
BMD 1.154548
BND 1.477081
BOB 13.616122
BRL 5.950424
BSD 1.154433
BTN 109.991846
BWP 15.540425
BYN 3.447757
BYR 22629.142525
BZD 2.321797
CAD 1.607587
CDF 2626.597054
CHF 0.936656
CLF 0.026764
CLP 1053.386652
CNY 7.787777
CNH 7.78805
COP 3623.583811
CRC 524.423831
CUC 1.154548
CUP 30.595524
CVE 110.355143
CZK 24.252671
DJF 205.577926
DKK 7.475687
DOP 67.403891
DZD 153.435674
EGP 57.977825
ERN 17.318221
ETB 186.734934
FJD 2.552707
FKP 0.854422
GBP 0.853529
GEL 3.019111
GGP 0.854422
GHS 13.217797
GIP 0.854422
GMD 84.858232
GNF 10141.283867
GTQ 8.808042
GYD 241.567323
HKD 9.059716
HNL 30.942739
HRK 7.535736
HTG 151.000729
HUF 364.102928
IDR 20602.91063
ILS 3.450656
IMP 0.854422
INR 110.101227
IQD 1512.309126
IRR 1587157.25621
ISK 141.801407
JEP 0.854422
JMD 182.759286
JOD 0.818586
JPY 183.670703
KES 149.294395
KGS 100.965522
KHR 4674.737561
KMF 492.992624
KRW 1636.329207
KWD 0.356802
KYD 0.962069
KZT 537.51976
LAK 26047.276614
LBP 103379.244923
LKR 385.891872
LRD 209.531155
LSL 18.653014
LTL 3.409081
LVL 0.698374
LYD 7.363014
MAD 10.723059
MDL 20.012
MGA 4968.058138
MKD 61.579768
MMK 2424.478032
MNT 4152.523128
MOP 9.331022
MRU 46.142691
MUR 54.34422
MVR 17.837556
MWK 2001.835191
MXN 19.697421
MYR 4.717023
MZN 73.196549
NAD 18.653014
NGN 1572.829598
NIO 42.484703
NOK 10.940093
NPR 175.983703
NZD 1.967517
OMR 0.443929
PAB 1.154443
PEN 3.901587
PGK 5.106171
PHP 70.691785
PKR 320.66916
PLN 4.304272
PYG 6888.626947
QAR 4.208838
RON 5.240513
RSD 117.333228
RUB 95.656399
RWF 1700.459557
SAR 4.329967
SBD 9.311477
SCR 15.843758
SDG 693.313001
SEK 10.996308
SGD 1.476692
SLE 28.284795
SOS 659.727467
SRD 43.810462
STD 23896.814398
STN 24.519817
SVC 10.101251
SZL 18.634899
THB 38.167052
TJS 10.678523
TMT 4.052464
TND 3.38974
TRY 55.124598
TTD 7.829395
TWD 37.197283
TZS 3053.783117
UAH 51.582842
UGX 4282.461019
USD 1.154548
UYU 46.467957
UZS 13804.275968
VES 877.76273
VND 30081.173158
VUV 136.747913
WST 3.151905
XAF 656.481872
XAG 0.017457
XAU 0.000262
XCD 3.120224
XCG 2.080581
XDR 0.816156
XOF 656.493254
XPF 119.331742
YER 273.877749
ZAR 18.627802
ZMK 10392.318525
ZMW 21.726747
ZWL 371.764013
  • RYCEF

    -0.0200

    20.55

    -0.1%

  • BCC

    -1.9170

    83.613

    -2.29%

  • JRI

    0.0000

    12.73

    0%

  • GSK

    -0.7100

    50.19

    -1.41%

  • RIO

    0.8800

    101.87

    +0.86%

  • NGG

    0.4600

    80.73

    +0.57%

  • CMSC

    0.1100

    21.55

    +0.51%

  • VOD

    0.2150

    16.115

    +1.33%

  • CMSD

    0.0500

    21.68

    +0.23%

  • BCE

    -0.2550

    23.115

    -1.1%

  • BP

    -0.2710

    42.889

    -0.63%

  • RELX

    -0.9800

    34.39

    -2.85%

  • AZN

    -1.0550

    157.695

    -0.67%

  • BTI

    -0.5950

    56.215

    -1.06%

  • RBGPF

    2.2800

    72.16

    +3.16%

Behind the BTS comeback, the dark side of K-pop
Behind the BTS comeback, the dark side of K-pop / Photo: Jung Yeon-je - AFP

Behind the BTS comeback, the dark side of K-pop

K-pop oozes with talent, flair and hard work, but the spectacularly successful South Korean music industry also has a dark side -- sometimes with tragic results.

Text size:

Ahead of BTS's comeback concert on Saturday, AFP looks at the intense competition, the gruelling training, the tight control over stars' lives and the sometimes obsessive fan behaviour in the industry.

- 300 groups -

South Korean record labels launch dozens of new groups every year in the hope they will become the next BTS or Blackpink, but with some 300 outfits already out there, the big time is elusive.

The tiny minority of the thousands of young hopefuls who make it past the audition phase can then face 15-hour days of gym sessions, singing lessons, promotional shoots and dance practice.

They sometimes sleep not at home but in bunk beds in shared houses, with tight control over the lives, including what they eat, their weight and their looks.

In a 2020 interview with AFP, former Nine Muses member Ryu Sera likened it to a "factory-like mass-production system", with people treated like "replaceable products".

But industry bosses argue that the competitive structure is what keeps K-pop so successful.

"We can't help those who were given an opportunity for self-improvement but couldn't keep up with the others," Blitzers manager Oh Chang-seok told AFP in 2021.

The balance of power between labels and K-pop stars was once heavily skewed, with "slave contracts" mandating unequal profit-sharing and binding artists for well over a decade.

After a legal battle involving idol group TVXQ, the fair trade commission revised standard contracts, with changes introduced in 2009 that cap initial deals at seven years.

- No dating -

Fans can become obsessive, and anger over rumours that their beloved stars may be romantically involved has become a hallmark of the industry.

When Jung Kook of BTS was rumoured to be dating Aespa member Winter, fans sent a truck carrying a billboard to the headquarters of BTS label HYBE accusing him of "deceit".

Karina of Aespa faced similar trouble when she acknowledged her relationship with an actor in 2024, drawing the ire of fans who also dispatched a truck.

"Do you not receive enough love from your fans?" it read.

Karina delivered her "sincere apologies" in a handwritten letter, vowing she would "not disappoint" her fans again. Shortly afterwards, the couple broke up.

Others have taken things to dangerous extremes.

In 2024, Sunwoo from The Boyz was assaulted when a fan hid in an emergency stairwell to confront him. The group's label said it had also detected a tracking device on their vehicle.

This month, a Brazilian woman was indicted on charges of stalking BTS's Jung Kook. She allegedly rang his doorbell and left a letter 23 times in one month -- "out of love".

Kim Seong-sheen, a professor of creative convergence education at Hanyang University in Seoul, blames the way the industry has structured the relationship between groups and fans.

"Fans have come to occupy the role not of simple consumers but of participants who invest their emotions and time," Kim told AFP.

"The industry has long operated on the premise of controlling idols' private lives and sustaining an illusion of intimacy to maintain that engagement."

- Cyberbullying -

The industry has seen a number of suspected suicides, most recently in 2023 when Moonbin, 25, from boy band ASTRO, was found dead at his home.

While mental health professionals caution it is rare that there is only one trigger factor, some performers have been subjected to intense cyberbullying and harsh scrutiny of their personal lives, both by fans and their management.

Bang Si-hyuk, creator of BTS and chairman of HYBE, questioned in a 2023 CNN interview whether such criticism was "justifiable", suggesting conditions were no better in Western pop.

Cultural commentator Kim Do-hoon said a deeper problem lies in the industry's hierarchical structure between management and singers.

Unlike many groups elsewhere, K-pop bands are assembled by agencies that invest time and capital to train them in a top-down system.

BTS was created in the same manner.

"This is a very hierarchical system that, at its core, has not changed over the years," he said.

(L.Kaufmann--BBZ)