Berliner Boersenzeitung - Filmmakers at Cannes grapple with 'tectonic' AI shift

EUR -
AED 4.098593
AFN 71.425776
ALL 90.641933
AMD 401.92437
ANG 1.997438
AOA 1024.507986
ARS 1713.276213
AUD 1.587859
AWG 2.011628
AZN 1.901667
BAM 1.949792
BBD 2.248044
BDT 138.563061
BGN 1.950617
BHD 0.421417
BIF 3349.5993
BMD 1.116021
BND 1.425951
BOB 13.533664
BRL 6.070937
BSD 1.116196
BTN 105.924423
BWP 15.421038
BYN 3.287873
BYR 21874.017971
BZD 2.244764
CAD 1.559696
CDF 2583.589771
CHF 0.919829
CLF 0.028064
CLP 1108.120336
CNY 7.433934
CNH 7.424962
COP 3592.930214
CRC 507.552053
CUC 1.116021
CUP 26.786466
CVE 109.925805
CZK 24.347166
DJF 198.339749
DKK 7.474892
DOP 67.65397
DZD 151.559089
EGP 62.483993
ERN 16.74032
ETB 180.194744
FJD 2.504022
FKP 0.83439
GBP 0.833349
GEL 2.905964
GGP 0.83439
GHS 13.003284
GIP 0.83439
GMD 82.585975
GNF 9878.562262
GTQ 8.532709
GYD 233.955428
HKD 8.756583
HNL 29.999566
HRK 7.55436
HTG 146.234664
HUF 365.988466
IDR 20237.651703
ILS 3.509396
IMP 0.83439
INR 105.929959
IQD 1691.986666
IRR 2085190.984464
ISK 135.965309
JEP 0.83439
JMD 177.362717
JOD 0.791303
JPY 175.935226
KES 144.938119
KGS 97.594619
KHR 4554.029374
KMF 492.165795
KPW 1004.419149
KRW 1488.125583
KWD 0.347273
KYD 0.93013
KZT 506.070699
LAK 25130.46894
LBP 99950.420445
LKR 371.24612
LRD 189.732847
LSL 18.600389
LTL 3.295321
LVL 0.675071
LYD 7.174861
MAD 10.974337
MDL 19.979156
MGA 5048.625172
MKD 61.390843
MMK 2343.543963
MNT 4015.314413
MOP 9.01889
MRU 45.260167
MUR 52.765911
MVR 17.242952
MWK 1934.989941
MXN 20.966362
MYR 4.529042
MZN 71.325344
NAD 18.600389
NGN 1502.689654
NIO 41.073445
NOK 10.276887
NPR 169.478878
NZD 1.981924
OMR 0.428888
PAB 1.1163
PEN 3.863097
PGK 5.079327
PHP 71.162546
PKR 308.772114
PLN 4.405216
PYG 6538.852546
QAR 4.068664
RON 5.337042
RSD 117.488072
RUB 90.019153
RWF 1647.601281
SAR 4.18999
SBD 8.99313
SCR 15.350293
SDG 671.290929
SEK 10.966253
SGD 1.426614
SHP 0.835158
SLE 25.56098
SLL 23402.414084
SOS 637.843256
SRD 41.984169
STD 23099.388191
STN 24.425506
SVC 9.765909
SYP 14510.508917
SZL 18.595371
THB 37.677292
TJS 10.273707
TMT 3.906075
TND 3.337716
TOP 2.687111
TRY 55.728194
TTD 7.567683
TWD 36.406294
TZS 2947.633334
UAH 50.62483
UGX 4743.533032
USD 1.116021
UYU 44.873345
UZS 13387.231203
VES 990.446387
VND 28797.256261
VUV 133.049232
WST 3.095733
XAF 655.957
XAG 0.022721
XAU 0.000287966488
XCD 3.016104
XCG 2.011502
XDR 0.789085
XOF 655.957
XPF 119.331742
YER 263.608242
ZAR 18.668185
ZMK 10045.535151
ZMW 22.507256
ZWL 359.358411
SSP 6411.76467
MXV 2.363023
  • CMSD

    -0.1200

    19.81

    -0.61%

  • JRI

    0.0000

    10.77

    0%

  • BCC

    -1.8200

    74.15

    -2.45%

  • CMSC

    -0.2228

    19.53

    -1.14%

  • BCE

    0.2000

    20.34

    +0.98%

  • RIO

    0.0100

    94.17

    +0.01%

  • AZN

    -2.7400

    161.47

    -1.7%

  • GSK

    -1.1800

    48.17

    -2.45%

  • RBGPF

    0.0000

    65

    0%

  • NGG

    0.8800

    75.82

    +1.16%

  • RYCEF

    -0.7300

    19.08

    -3.83%

  • BTI

    -0.4500

    54.4

    -0.83%

  • BP

    0.4700

    43.99

    +1.07%

  • RELX

    -0.0600

    33.18

    -0.18%

  • VOD

    -0.1800

    16.15

    -1.11%

Filmmakers at Cannes grapple with 'tectonic' AI shift
Filmmakers at Cannes grapple with 'tectonic' AI shift / Photo: Lionel BONAVENTURE - AFP

Filmmakers at Cannes grapple with 'tectonic' AI shift

At an AI talk on a Cannes beach, a presenter's voice is cloned and used to say a random phrase in three languages, while another's face is replaced live on screen as they speak.

Text size:

Few of the film buffs attending the premiere industry festival are shocked.

Ever since the artificial intelligence chatbot ChatGPT took the world by storm six months ago, spurring an AI race among tech giants, the technology has shaken up the film industry.

The use of AI to write scripts is one of the leading concerns among Hollywood movie and TV writers who are in their third week of a strike that has upended productions.

However the technology is revolutionising everything from voice acting, to analysing scripts and coming up with a budget, to creating mock-ups of scenes before you even pick up a camera.

"New things are created every single day," says Quinn Halleck, a 25-year-old filmmaker who is about to release a three-part short movie called "./ Sigma_001" which is about a sentient AI being, and uses AI from conception to marketing and distribution.

"It's not just one tool, it's sort of sprinkled throughout the workflow process," he tells AFP on the sidelines of a panel on AI.

This ranges from asking ChatGPT what a character could be like, what her backstory is, and "riffing" off that to create ideas.

Telling an anecdote about a showrunner who hires writers by giving them the same prompt as he gives ChatGPT and seeing if they perform better, he argues the "bar has been raised" to come up with great ideas.

But while some assistant roles may disappear, he believes a human director remains essential.

"You still have to come up with the ideas, you have to create the prompts and curate the answers."

- Deepfake technology -

The world's leading film festival, taking place on the French Riviera, got a hefty dose of AI with a lengthy scene de-aging Harrison Ford, 80, in "Indiana Jones and the Dial of Destiny".

While producers have ruled out using AI to keep the role going, actors like Tom Hanks believe it will allow him to keep acting long after his death.

Hanks is currently being de-aged in his upcoming movie "Here", with help from deepfake, face-swapping technology from AI firm Metaphysic.

The company's co-founder Tom Graham says technology has bridged the so-called "uncanny valley" -- the visceral human rejection of less-than-realistic androids -- and is now creating deepfakes where you "absolutely can't tell the difference".

The company is behind Deepfake Tom Cruise, a TikTok account that perfectly imitates the actor, and also created a hyper-real Elvis Presley who morphed into Simon Cowell and his co-judges on an episode of "America's Got Talent".

While filmmakers are brimming with excitement over the technology's potential, questions of its abuse hang over the session.

"This set of technologies represents, you know, a set of tectonic social shifts like the industrial revolution, which will play out over the next 20-50 years and people should be worried about what happens," Graham tells AFP.

"Unfortunately, I don't believe that you can stop the advancement of the technology because a lot of it is open source. There's not really anything to turn off."

His advice: "You should try to own and control the rights to your biometric data, how you sound, how you look, and really kind of lock that down."

- Voice cloning -

Magdalena Zielinska of ElevenLabs in Poland which claims to have created the "most expressive" AI voices available, says tools to check if a voice is synthetic will be essential.

Unlike the robotic AI voices of the past, models have learned to replicate the pace and intonation of human voices.

She says the tool allows directors to see how a scene will sound, or advertisers to see what kind of voice resonates most with clients. It can also be used to fix problems in post-production.

Zielinska says the technology could allow an actor to license their voice and do more projects at the same time.

A voice actor who fled the war in Ukraine was struggling to find work in Poland, and is "now making money", she says, after using the technology to clean up his English accent.

French director Mathias Chelebourg foresees that 90 percent of overall production will eventually be done by AI on movie sets.

"Hire right now an AI specialist in your team, whatever your job is, and hire it now, because in one year you will regret it," he warns.

(O.Joost--BBZ)